10.10.2011

Grandpa's Workshop or Time Travel, Carrots

suddenly,
it is no longer six-fifteen in the morning,
and i am no longer watching the peels curl
down the length of the carrot before flipping
to the floor


i have been transported back to
nineteen eighty seven, or thereabouts,
and the peels of the present settle 
upon the piles of sawdust that cover
the floor of grandpas workshop.

my hands are no longer my hands,
the peeler is no longer peeling carrots.
my hands have become grandpa's
and the peeler a plane, my hands
are smoothly peeling the surface
of some walnut or cherry,
the small curls flipping down 
to the floor


i watch our hands, marveling
at how the strokes reveal the marbled
beauty of the grain lying below the surface,
and my tears missing grandpa mingle 
with the onions, and suddenly
it is six-twenty-five in the morning

Poem: "Grandpa's Workshop or Time Travel, Carrots" Patrick Lynch 
Photo: Unknown

7.17.2011

That's Where

Zen up and over, zen around, zen traversing deer trails through forgotten forests. Deluge at hand but it worries me not. Circumnavigating large bodies of water that spread out like tail feathers. Lightning flashing and thunder clapping. Wild dog in his element. Rain coat and sandals, a middle way 'cause the heavy drops encourage your feet to keep on going to that's where. Sky above the storm too bright, too intense for these eyes. Deliberate ignorance to such heavens is best for the hiker who wants nothing more. Motives nil, keep the mind focused on the next step to that's where. Pebbles between feet and soul tell me I'm on the right path, following on the heels of forever, but only feeling the dirt and the water and the electrically charged air.

Poem: James Gagnon
Painting: "Plastic Beach Nudes 14," by Vangobot

7.04.2011



God has cared for these trees, saved them from drought, disease, avalanches, and a thousand tempests and floods. But he cannot save them from fools. 

Quote: John Muir

6.26.2011



"I am, as I am; whether hideous, or handsome, depends upon who is made judge."


-Herman Melville

4.10.2011

of a wave



without thought
the meanings slide into
deeper understandings
words thought become heard
laughter in the wake of
simultaneous combustion
eyes up, face front
guard down, acceptant
willfully unarmed
knowing that intention and
realization are planetary
constantly in rotation
about whatever looks
like a sun
something to dance with
an opposite that breeds
itself through exposure
teachings untethered tide


XLVII

I was born just thirty years ago, 
but I've wandered a million miles already. 
Along the River through the green grass on the 
     banks, 
out to the borderlands, where the red dust roils. 
Chewed herbs, cooked up alchemical elixirs, 
trying to become an Immortal. 
Read all the Writings, chanted the Histories 
     aloud, 
trying to learn them all by heart...
Today I'm on my way 
home to Cold Mountain. 
There, I'll bed down in the creek, just to wash out
     my ears 

LIV

Sun's yang light failing, down the Western Peak;
the grasses caught the light, and flowered with it. 
And again, the dark came on, moon waiting like a 
     hidden dragon, 
among the intertwining branches of vine-covered 
     pines. 
Here, just here, a tiger waited, 
bristling, hackles up, to meet me. 
Not a pen knife in my hand, 
I tried, I tried to know no fear, 
but my heart was all ears, all ears. 

Poems: "of a wave," by Robert Lescatre; "XLVII" and "LIV" by Hanshan from his collection "Cold Mountain Poems." 
Photo: Rawlings "Ozzie Smith Gamer" currently valued at $12,500.

3.13.2011

Two from Jack

Hymn

And when you showed me Brooklyn Bridge
  in the morning,
      Ah God,

And the people slipping on ice in the street,
twice,
         twice,
                  two different people
                  came over, goin to work,
                  so earnest and tryful,
                  clutching their pitiful
                  morning Daily News
                  slip on the ice & fall
                  both inside 5 minutes
                  and I cried I cried

That's when you taught me tears, Ah 
  God in the morning, 
       Ah Thee

And me leaning on the lamppost wiping 
eyes, 
       eyes, 
               nobody's know I'd cried
               or woulda cared anyway
               but O I saw my father
               and my grandfather's mother
               and the long lines of chairs 
               and tear-sitters and dead, 
               Ah me, I knew God You
               had better plans than that

So whatever plan you have for me
Splitter of majesty 
Make it short 
    brief
Make it snappy
    bring me home to the Eternal Mother 
     today 

At your service anyway, 
     (and until)
















29

The Tathagata doesnt exist
in honor of which I will go 
and climb mountains 

Poems: "Hymn" and "29" by Jack Kerouac, from his collection "Poems All Sizes: 1954-1965"
Photo: "Nellie Dreaming-Lyons,CO-1999" by Robert Benjamin  and Rocher peint à Rivière du Loup, Quebec. 

2.13.2011


dowson shadow

a flash of teeth
across the street
and up your alley
how far to be determined
though control is unobtainable
at least not sought
to seek one goal
many worthy instances go gone
like the wind in decadent days
roses not smelled nor wine
what is not sniffable
visible, derisable
the unheard orchestra
waves internally crashing
reverberations veering
and careening to be poetic


it is

what it is to
dip your hip to the swaying
of the ship that
surely goes only your way
when sunday sundries
and so-called political parity
part red-faced in pro-people pose
peering unending into eyes
less than an inch deep
thoughts whose reach exceeds
inevitabilities of existence
or inches toward them achingly
seems if your radar
picks up anything which makes
movement for it's sake
decide then
what it is too

Poems: "dowson shadow" and "it is" by Robert Lescatre 
Painting #1: Sam Flores 
Painting #2 Sarah Jackson 


1.29.2011

Adieu a Charlot

Sons of Whitman sons of Poe
sons of Lorca & Rimbaud
or their dark daughters
poets of another breath
poets of another vision
Who among you still speaks of revolution
Who among you still unscrews
the locks from the doors
in this revisionist decade?
'You are President of your own body, America'
Thus spoke Kush in Tepotzlan
youngblood wildhaired angel poet
one of a spawn of wild poets
in the image of Allen Ginsberg
wandering the wilds of America
'You Rimbauds of another breath'
san Kush
and wandered off with his own particular paranoias
maddened like most poets
for one made reason or another
in the unmade bed of the world
Sons of Whitman
in your 'public solitude'
bound by blood-duende
'President of your own body America'
Take it back from those who have maddened you
back from those who stole it
and steal it daily
The subjective must take back the world
from the objective gorillas & guerrillas of the world
We must rejoin somehow
the animals in the fields
in their steady-state mediation
'Your life is in your own hands still
Make it flower make it sing'
(so sang mad Kush in Tepotzlan)
'a constitutional congress of the body'
still be convened to seize control
of the State
the subjective state
from those who have subverted it
the arab telephone of the avant-garde
has broken down
And I speak to you now
from another country
Do not turn away
in your public solitudes
you poets of other visions
of the separate lonesome visions
untamed uncornered visions
fierce recalcitrant visions
you Whitmans of another breath
which is not the too-cool breath of modern poetry
which is not the halitosis of industrial civilization
Listen now Listen again
to the song in the blood the dark duende a dark singing
between the tickings of civilization
between the lines of its headlines
in the silences between cars
driven like weapons
In two hundred years of freedom
we have invented
the permanent alienation of the subjective
almost every truly creative being
alienated & expatriated
in his own country
in Middle America or San Francisco
the death of the dream in your birth
o meltingppot America
I speak to you
from another country
another kind of blood-letting land
from Tepotzlan the poets' lan'
Land of the Lord of the Dawn
                                    Quetzalcoatl
Land of the Plumed Serpent
I signal to you
as Artaud signaled
through the flames
I signal to you
over the heads of the land
the hard heads that stand like menhirs
above the land in every country
the short-haired hyenas
who still rule everything
I signal to you from Poets' Land
you poets of the alienated breath
to take back your land again
and the deep sea of the subjective
Have you heard the sound of the ocean lately
the sound by which daily
the stars still are driven
the sound by which nightly
the stars retake their sky
The sea thunders still to remind you
of the thunder in the blood
to remind you of your selves
Think now of your self
as of a distant ship
Think now of your beloved
of the eyes of your beloved
whoever is most beloved
he who held you hard in the dark
or she who washed her hair by the waterfall
whoever makes the heart pound
the blood pound
Listen says the river
Listen says the sea Within you
you with your private visions
of another reality a separate reality
Listen and study the charts of time
Read the sanskrit of ants in the sand
You Whitmans of another breath
there is no one else to tell
how the alienated generations
have lived out their expatriate visions
here and everywhere
The old generations have lived them out
Lived out the bohemian myth in Greenwich Villages
Lived out the Hemingway myth
in The Sun Also Rises 
at the Dome in Paris
or with the bulls at Pamplona
Lived out the Henry Miller myth
in the Tropics of Paris
and the great Greek dream
of The Colossus of Maroussi
and the tropic dream of Gauguin
Lived out the D.H. Lawrence myth
in The Plumed Serpent
in Mexico Lake Chapala
And the Malcolm Lowry myth
Under the Volcano at Cuernavaca
And then the saga of On the Road
and the Bob Dylan myth Blowing in the Wind
How many roads must a man walk down
How many Neal Cassadys on lost railroad tracks
How many replicas of Woody Guthrie with cracked guitars
How many photocopies of longhaired Joan
How many Ginsberg facsimiles and carbon-copy Keseys
still wandering the streets of America
in old tennis shoes and backpacks
or driving beat-up school buses
with destination-signs reading 'Further'
How many Buddhist Catholics how many cantors
chanting the Great Paramita Sutra
on the Lower Last Side
How many Whole Earth Catalogs
lost in out-houses on New Mexico communes
How many Punk Rockers waving swastikas
Franco is dead but I'd wear his bowler
having outlived all our myths but his
the myth of pure subjective
the Little Man in each of us
Waiting with Charlot or Pozzo
On every corner I see them
Their hats are not derbys they have no canes
but we know them
we have always waited with them
They turn and hitch their pants
and walk away from us
down the darkening road
in the great American night

Poem: "Adieu a Charlot (Second Populist Manifesto) (1975-1978)" by Lawrence Ferlinghetti. $$$
Photo: "Methuselah" a Bristlecone Pine with a germination date of 2832 BC.  She's still growing at 9,500–9,800 ft above sea level in the "Methuselah Grove" in the "Forest of Ancients" in the Inyo National Forest. Methuselah's exact location is undisclosed as a protection against vandalism.