Showing posts with label Sara Jackson. Show all posts
Showing posts with label Sara Jackson. Show all posts

2.13.2011


dowson shadow

a flash of teeth
across the street
and up your alley
how far to be determined
though control is unobtainable
at least not sought
to seek one goal
many worthy instances go gone
like the wind in decadent days
roses not smelled nor wine
what is not sniffable
visible, derisable
the unheard orchestra
waves internally crashing
reverberations veering
and careening to be poetic


it is

what it is to
dip your hip to the swaying
of the ship that
surely goes only your way
when sunday sundries
and so-called political parity
part red-faced in pro-people pose
peering unending into eyes
less than an inch deep
thoughts whose reach exceeds
inevitabilities of existence
or inches toward them achingly
seems if your radar
picks up anything which makes
movement for it's sake
decide then
what it is too

Poems: "dowson shadow" and "it is" by Robert Lescatre 
Painting #1: Sam Flores 
Painting #2 Sarah Jackson 


11.30.2010

Come up with me, American love. 

Kiss these secret stones with me. 
The torrential silver of the Urubamba
makes the pollen fly to its golden cup. 
The hollow of the bindweed's maze, 
the petrified plant, the inflexible garland, 
soar above the silence of these mountain coffers. 
Come, diminutive life, between the wings
of the earth, while you, cold, crystal in the hammered air, 
thrusting embattled emeralds apart, 
O savage waters, fall from the hems of snow. 

Love, love, until the night collapses 
from the singing Andes flint
down to the dawn's red knees, 
come out and contemplate the snow's blind son. 
O Wilkamayu of the sounding looms, 
when you rend your skeins of thunder
in white foam clouds of wounded snow, 
when your south wind falls like an avalanche 
roaring and belting to arouse the sky, 
what language do you wake in an ear
freed but a moment from your Andean spume? 

Who caught the lightning of the cold, 
abandoned it, chained to the heights, 
dealt out among its frozen tears, 
brandished upon its nimble swords-
its seasoned stamens pummeled hard-
led to a warrior's bed, 
hounded to his rocky conclusions? 

What do your harried scintillations whisper? 
Did your sly, rebellious flash 
go traveling once, populous with words? 
Who wanders grinding frozen syllables, 
black languages, gold-threaded banners, 
fathomless mouths, and trampled cries
in your tenuous arterial waters? 

Who goes deadheading blossom eyelids
come to observe us from the far earth? 
Who scatters dead seed clusters 
dropping from your cascading hands 
to bed their own disintegration here
in coal's geology? 

Who has flung down the branches of these chains 
and buried once again our leave-takings? 

Love, love, do not come near the boarder, 
avoid adorning this sunken head: 
let time exhaust all measure 
in its abode of broken overtures-
here, between cliffs and rushing waters, 
take to yourself the air among these passes, 
the laminated image of the wind, 
the blind canal threading high cordilleras, 
dew with its bitter greetings, 
and climb, flower by flower, through the thickness
trampling the coiling lucifer. 

In this steep zone of flint and forest, 
green stardust, jungle-clarified, 
Mantur, the valley, cracks like a living lake 
or a new level of silence. 

Come to my very being, to my own dawn, 
into crowned solitudes. 
The fallen kingdom survives us all this while. 
And on this dial the condor's shadow
cruises as ravenous as would a pirate ship. 

Poem: Pablo Neruda, "VII" from "Canto General: Book II, The Hights of Macchu Picchu.
Painting: by Sarah Jackson