3.13.2011

Two from Jack

Hymn

And when you showed me Brooklyn Bridge
  in the morning,
      Ah God,

And the people slipping on ice in the street,
twice,
         twice,
                  two different people
                  came over, goin to work,
                  so earnest and tryful,
                  clutching their pitiful
                  morning Daily News
                  slip on the ice & fall
                  both inside 5 minutes
                  and I cried I cried

That's when you taught me tears, Ah 
  God in the morning, 
       Ah Thee

And me leaning on the lamppost wiping 
eyes, 
       eyes, 
               nobody's know I'd cried
               or woulda cared anyway
               but O I saw my father
               and my grandfather's mother
               and the long lines of chairs 
               and tear-sitters and dead, 
               Ah me, I knew God You
               had better plans than that

So whatever plan you have for me
Splitter of majesty 
Make it short 
    brief
Make it snappy
    bring me home to the Eternal Mother 
     today 

At your service anyway, 
     (and until)
















29

The Tathagata doesnt exist
in honor of which I will go 
and climb mountains 

Poems: "Hymn" and "29" by Jack Kerouac, from his collection "Poems All Sizes: 1954-1965"
Photo: "Nellie Dreaming-Lyons,CO-1999" by Robert Benjamin  and Rocher peint à Rivière du Loup, Quebec. 

2.13.2011


dowson shadow

a flash of teeth
across the street
and up your alley
how far to be determined
though control is unobtainable
at least not sought
to seek one goal
many worthy instances go gone
like the wind in decadent days
roses not smelled nor wine
what is not sniffable
visible, derisable
the unheard orchestra
waves internally crashing
reverberations veering
and careening to be poetic


it is

what it is to
dip your hip to the swaying
of the ship that
surely goes only your way
when sunday sundries
and so-called political parity
part red-faced in pro-people pose
peering unending into eyes
less than an inch deep
thoughts whose reach exceeds
inevitabilities of existence
or inches toward them achingly
seems if your radar
picks up anything which makes
movement for it's sake
decide then
what it is too

Poems: "dowson shadow" and "it is" by Robert Lescatre 
Painting #1: Sam Flores 
Painting #2 Sarah Jackson 


1.29.2011

Adieu a Charlot

Sons of Whitman sons of Poe
sons of Lorca & Rimbaud
or their dark daughters
poets of another breath
poets of another vision
Who among you still speaks of revolution
Who among you still unscrews
the locks from the doors
in this revisionist decade?
'You are President of your own body, America'
Thus spoke Kush in Tepotzlan
youngblood wildhaired angel poet
one of a spawn of wild poets
in the image of Allen Ginsberg
wandering the wilds of America
'You Rimbauds of another breath'
san Kush
and wandered off with his own particular paranoias
maddened like most poets
for one made reason or another
in the unmade bed of the world
Sons of Whitman
in your 'public solitude'
bound by blood-duende
'President of your own body America'
Take it back from those who have maddened you
back from those who stole it
and steal it daily
The subjective must take back the world
from the objective gorillas & guerrillas of the world
We must rejoin somehow
the animals in the fields
in their steady-state mediation
'Your life is in your own hands still
Make it flower make it sing'
(so sang mad Kush in Tepotzlan)
'a constitutional congress of the body'
still be convened to seize control
of the State
the subjective state
from those who have subverted it
the arab telephone of the avant-garde
has broken down
And I speak to you now
from another country
Do not turn away
in your public solitudes
you poets of other visions
of the separate lonesome visions
untamed uncornered visions
fierce recalcitrant visions
you Whitmans of another breath
which is not the too-cool breath of modern poetry
which is not the halitosis of industrial civilization
Listen now Listen again
to the song in the blood the dark duende a dark singing
between the tickings of civilization
between the lines of its headlines
in the silences between cars
driven like weapons
In two hundred years of freedom
we have invented
the permanent alienation of the subjective
almost every truly creative being
alienated & expatriated
in his own country
in Middle America or San Francisco
the death of the dream in your birth
o meltingppot America
I speak to you
from another country
another kind of blood-letting land
from Tepotzlan the poets' lan'
Land of the Lord of the Dawn
                                    Quetzalcoatl
Land of the Plumed Serpent
I signal to you
as Artaud signaled
through the flames
I signal to you
over the heads of the land
the hard heads that stand like menhirs
above the land in every country
the short-haired hyenas
who still rule everything
I signal to you from Poets' Land
you poets of the alienated breath
to take back your land again
and the deep sea of the subjective
Have you heard the sound of the ocean lately
the sound by which daily
the stars still are driven
the sound by which nightly
the stars retake their sky
The sea thunders still to remind you
of the thunder in the blood
to remind you of your selves
Think now of your self
as of a distant ship
Think now of your beloved
of the eyes of your beloved
whoever is most beloved
he who held you hard in the dark
or she who washed her hair by the waterfall
whoever makes the heart pound
the blood pound
Listen says the river
Listen says the sea Within you
you with your private visions
of another reality a separate reality
Listen and study the charts of time
Read the sanskrit of ants in the sand
You Whitmans of another breath
there is no one else to tell
how the alienated generations
have lived out their expatriate visions
here and everywhere
The old generations have lived them out
Lived out the bohemian myth in Greenwich Villages
Lived out the Hemingway myth
in The Sun Also Rises 
at the Dome in Paris
or with the bulls at Pamplona
Lived out the Henry Miller myth
in the Tropics of Paris
and the great Greek dream
of The Colossus of Maroussi
and the tropic dream of Gauguin
Lived out the D.H. Lawrence myth
in The Plumed Serpent
in Mexico Lake Chapala
And the Malcolm Lowry myth
Under the Volcano at Cuernavaca
And then the saga of On the Road
and the Bob Dylan myth Blowing in the Wind
How many roads must a man walk down
How many Neal Cassadys on lost railroad tracks
How many replicas of Woody Guthrie with cracked guitars
How many photocopies of longhaired Joan
How many Ginsberg facsimiles and carbon-copy Keseys
still wandering the streets of America
in old tennis shoes and backpacks
or driving beat-up school buses
with destination-signs reading 'Further'
How many Buddhist Catholics how many cantors
chanting the Great Paramita Sutra
on the Lower Last Side
How many Whole Earth Catalogs
lost in out-houses on New Mexico communes
How many Punk Rockers waving swastikas
Franco is dead but I'd wear his bowler
having outlived all our myths but his
the myth of pure subjective
the Little Man in each of us
Waiting with Charlot or Pozzo
On every corner I see them
Their hats are not derbys they have no canes
but we know them
we have always waited with them
They turn and hitch their pants
and walk away from us
down the darkening road
in the great American night

Poem: "Adieu a Charlot (Second Populist Manifesto) (1975-1978)" by Lawrence Ferlinghetti. $$$
Photo: "Methuselah" a Bristlecone Pine with a germination date of 2832 BC.  She's still growing at 9,500–9,800 ft above sea level in the "Methuselah Grove" in the "Forest of Ancients" in the Inyo National Forest. Methuselah's exact location is undisclosed as a protection against vandalism.

12.29.2010

The Circumambulation of Mt. Tamalpais


Walking up and around the long ridge of Tamalpais, "Bay Mountain," circling and climbing-chanting-to show respect and to clarify the mind. Philip Whalen, Allen Ginsberg, and I learned this practice in Asia. So we opened a route around Tam. It takes a day.

Stage One


Muir Woods: the bed of Redwood Creek just where the Dipsea Trail crosses it. Even in the dryest season of this year some running water. Mountains make springs.

Prajnaparamita-hridaya-sutra
Dharani for Removing Disasters
Four Vows

Splash across the creek and head up the Dipsea Trail, the steep wooded slope and into meadows. Gold dry grass. Cows- a huge pissing, her ears out, looking around with large eyes and mottled nose. As we laugh. "-Excuse us for laughing at you." Hazy day, butterflies tan as grass that sit on silver-weathered fenceposts, a gang of crows. "I can smell fried chicken" Allen says -only the simmering California laurel leaves. The trail winds crossed and intertwining with a dirt jeep road. 

Two

A small twisted ancient interior live oak splitting a rock outcrop an hour up the trail. 

Dharani for Removing Disasters 
The Heat Mantra 

A tiny chorten before this tree. 

Into the woods. Maze fence gate. Young Douglas fir, redwood, a new state of being. Sun on madrone: to the bare meadow knoll. (Last spring a bed of wild iris about here and this time too, a lazuli bunting.) 

Three

A ring of outcropped rocks. A natural little dolmen-circle right where the Dipsea crests on the ridge. Looking down a canyon to the ocean- not so far. 

Dharani for Removing Disasters
Hari Om Namo Shiva

And on to Pan Toll, across the road and up the Old Mine Trail. A doe and a fawn, silvery gray. More crows. 

Four

Rock springs. A trickle even now-

The Sarasvati Mantra 
Dharani for Removing Disasters 

- in the shade of a big oak spreading out the map on a picnic table. Then up the Benstein Trail to Rifle Camp, old food-cache boxes hanging from wires. A bit north, in the oak woods and rocks, a neat little saddhu hut built of dry natural bits of wood and parts of old crates; roofed with shakes and black plastic. A book called Harmony left there. Lunch by the stream, too tiny a trickle, we drink water from our bota. The food offerings are swiss cheese sandwiches, swede bread with liverwurst, salami, jack cheese, olives, gomoku-no-moto from a can, grapes, panettone with apple-currant jelly and sweet butter, oranges, and soujouki- greek walnuts in grape juice paste. All in the shade, at Rifle Camp. 

Five

A notable serpentine outcropping, not far after Rifle Camp. 

Om Shri Maitreya
Dharani for Removing Disasters

Six

Collier Spring- in a redwood grove- water trickling out a pipe. 

Dharani of the Great Compassionate One

California nutmeg, golden chinquapin the fruit with burrs, the chaparral. Following the North Side Trail. 

Seven

Inspiration Point

Dharani for Removing Disasters
Mantra for Tara

Looking down on Lagunitas. The gleam of water storage in the brushy hills. All that smog- and Mt. St. Helena faintly in the north. The houses of San Anselmo and San Rafael, once large estates..."Peacock Gap Country Club"- rocky brush climb up the North Ridge Trail. 

Eight

Summit of Mt. Tamalpais. A ring of rock pinnacles around the lookout. 

Prajnaparamita-hridaya-sutra
Dharani for Removing Disasters
Dharani of the Great Compassionate One

Hari Krishna Mantra 
Om Shri Maitreya 
Hari Om Namo Shiva

All about the bay, such smog and sense of heat. May the whole planet not get like this. 
Start the descent down the Throckmorton Hogback Trail. (Fern Canyon an alternative.)

Nine

Parking lot of Mountain Home. Cars whiz by, sun glare from the west. 

Dharani for Removing Disasters
Gopala Mantra 

Then, across from the California Alpine Club, the Ocean View Trail goes down. Some yellow broom flowers still out. The long descending trail into shadowy giant redwood trees. 

Ten

The bed of Redwood Creek again. 

Prajnaparamita-hridaya-sutra
Dharani for Removing Disasters
Hari Om Namo Shiva
Hari Krishna Mantra 
Four Vows

-standing in our little circle, blowing the conch, shaking the staff rings, right in the parking lot. 



Poem: "The Circumambulation of Mt. Tamalpais" by Gary Snyder from his collection "Mountains and Rivers Without End." 
Photo: "A Pikes Peak Prospector" by William Henry Jackson Colorado circa 1900. 
Painting: "Sunset Glow on Mr. Tamalpais" by William Keith, 1896. 





11.30.2010

Come up with me, American love. 

Kiss these secret stones with me. 
The torrential silver of the Urubamba
makes the pollen fly to its golden cup. 
The hollow of the bindweed's maze, 
the petrified plant, the inflexible garland, 
soar above the silence of these mountain coffers. 
Come, diminutive life, between the wings
of the earth, while you, cold, crystal in the hammered air, 
thrusting embattled emeralds apart, 
O savage waters, fall from the hems of snow. 

Love, love, until the night collapses 
from the singing Andes flint
down to the dawn's red knees, 
come out and contemplate the snow's blind son. 
O Wilkamayu of the sounding looms, 
when you rend your skeins of thunder
in white foam clouds of wounded snow, 
when your south wind falls like an avalanche 
roaring and belting to arouse the sky, 
what language do you wake in an ear
freed but a moment from your Andean spume? 

Who caught the lightning of the cold, 
abandoned it, chained to the heights, 
dealt out among its frozen tears, 
brandished upon its nimble swords-
its seasoned stamens pummeled hard-
led to a warrior's bed, 
hounded to his rocky conclusions? 

What do your harried scintillations whisper? 
Did your sly, rebellious flash 
go traveling once, populous with words? 
Who wanders grinding frozen syllables, 
black languages, gold-threaded banners, 
fathomless mouths, and trampled cries
in your tenuous arterial waters? 

Who goes deadheading blossom eyelids
come to observe us from the far earth? 
Who scatters dead seed clusters 
dropping from your cascading hands 
to bed their own disintegration here
in coal's geology? 

Who has flung down the branches of these chains 
and buried once again our leave-takings? 

Love, love, do not come near the boarder, 
avoid adorning this sunken head: 
let time exhaust all measure 
in its abode of broken overtures-
here, between cliffs and rushing waters, 
take to yourself the air among these passes, 
the laminated image of the wind, 
the blind canal threading high cordilleras, 
dew with its bitter greetings, 
and climb, flower by flower, through the thickness
trampling the coiling lucifer. 

In this steep zone of flint and forest, 
green stardust, jungle-clarified, 
Mantur, the valley, cracks like a living lake 
or a new level of silence. 

Come to my very being, to my own dawn, 
into crowned solitudes. 
The fallen kingdom survives us all this while. 
And on this dial the condor's shadow
cruises as ravenous as would a pirate ship. 

Poem: Pablo Neruda, "VII" from "Canto General: Book II, The Hights of Macchu Picchu.
Painting: by Sarah Jackson