7.22.2010

Night Highway 99


We're on our way man out of town go hitching down that highway 99 Too cold and rainy to go out on the Sound Sitting in Ferndale drinking coffee Baxter in black, been to a funeral Raymond in Bellingham- Helena Hotel-  Can't go to Mexico with that weak heart Well you boys can go south. I stay here. Fix up a shack- get a part-time job- (he disappeared later maybe found in the river) In Ferndale & Bellingham Went out on trail crews Glacier and Marblemount There we part.Tiny men with mustaches driving ox teams deep in the cedar groves wet brush, tin pants, snoose- Split-shake roof barns over berry fields white birch chicken coop Put up in Dick Meigs cabin out behind the house- Coffeecan, PA tin, rags, dirty cups, Kindling fell behind the stove, miceshit, old magazines, winter's coming in the mountains shut down the show the punks go back to school and the rest hit the road- strawberries picked, shakeblanks split fires all out and the packstrings brought down to the valleys: set loose to graze.  Gray wharves and hacksaw gothic homes Shingle mills and stump farms overgrown. 

*

Fifty weary Indians  Mount Vernon Sleep in bus station Strawberry pickers speaking Kwakiutl turn at Burlington for Skagit;  Ross Dam under apple trees by the river banks of junked cars BC Riders give hitchhikers rides "The sheriff's posse stood in double rows Everett flogged the naked Wobblies down with stalks of Devil's Club; run them out of town"  While shingle weavers lost their fingers in the tricky feed and take of double saws. Dried, shrimp Seattle smoked, salmon -before the war old Salish gentleman came; sold us kids rich hard-smoked Chinook from his flatbed model T Lake City, waste of trees; topsoil, beast, herb, edible roots, Indian field- farms; white men dances washed, leached, burnt out minds blunt, ug! talk twisted a night of the long poem and the mind guitar "Forming the new society within the shell of the old" 
mess of tincan camps and littered roads. The Highway passes straight through every town at Matsons washing bluejeans hills and saltwater ack, the woodsmoke in my brain (high Olympics- can't go there again) East Marginal Way the hitchhike zone Boeing down across Duwamish slough and angle out; on. 

*

Night rain wet concrete headlights blind Tacoma salt air/ bulk cargo/ steam cycle/ AIR REDUCTION eating peanuts I don't give a damn  if anybody every stops I'll walk to San Francisco what the hell "that's where you going? why you got that pack?" "well man I just don't feel right without something on my back" & this character in milkman overalls "I have to come out here every once in a while, there's a guy blows me here" way out of town. Stayed in Olympia with Dick Meigs -this was a different year; he had moved- sleep on a cot in the back yard half the night watch shooting stars These guys got babies now drink beer, come back from wars, "I'd like to save up all my money get a big new car, go down to Reno & latch onto one of those rich girls- I'd fix their little ass" - nineteen yr old North Dakota boy fixing to get married next month. To Centralia in a purple Ford Carstruck dead doe by the Skookumchuck river Fat man in a Chevrolet wants to go back to L.A. "too damned poor now" Airbrakes on the log trucks hiss and whine stand in the dark by the stoplight big fat cars tool by drink coffee, drink more coffee brush teeth back of Shell hot shoes stay on the rightside of that yellow line Mary's Corner, turn for Mt. Rainier -once caught a ride at night for Portland here. Five Mexicans ask me "chip in on the gas," I never was more broke & down. Got fired that day by the USA (the District Ranger up at Packwood thought the Wobblies had been dead for forty years but the FBI smelled treason - my read beard) That Waco Texas boy took A.G. and me through miles of snow had a chest of logger gear at the home of an Indian girl n Kelso hadn't seen since fifty-four Toledo, Castle Rock, free way four lane no stoplights and no crossings, only cars, & people walking, old hitchhikers break the laws. How do I know...the state cop told me so. Come a dozen times into Portland on the bum or hasty lover late at night. 

*

Portland Dust kicking up behind the trucks- night rides- 
Who waits in the coffee stop night highway 99 Sokei-an met an old man on the banks of the Columbia growing potatoes & living all alone, Sokei- an asked him the reason why he lived there, he said, Boy, no one ever asked me the reason why, I like to be alone. I am an old man. I have forgotten how to speak human words. All night freezing in the back of a truck dawn at Smith River battering on in loggers' pickups prunes for lunch The next night, Siuslaw. Portland sawdust down town Buttermilk corner all you want for a nickel (now a dime) -Sujata gave Gautama buttermilk. (No doubt! says Sokei-an, that's all it was: plain buttermilk) rim of mountains, pulp bark chewed snag papermill tugboom in the river -used to lean on bridge rails dreaming up eruptions and quakes- Slept under juniper in the Siskiyou   Yreka a sleeping bag, a foot of snow black rolled umbrella ice slick asphalt Caught a ride the only car come by at seven in the morning chewing froze salami riding with a passed-out L.A. whore glove compartment full of booze, the driver a rider, nobody cowboy, sometime hood, Like me picked up to drive, & drive the blues away. We drank to Portland and we treated that girl good. I split my last two bucks with him in town when out to Carol & Billy's in the woods. Foggy morning in Newport housetrailers under the fir. 

*

An old book on Japan at the Goodwill unfurled umbrella in the sailing snow sat back in black wood barber college chair, a shave On Second street in Portland. What elegance. What a life. Bust my belly with a quart of buttermilk & five dry heels of French bread from the market cheap clean shaved, dry feet, We're on our way man out of town Go hitching down that highway 99. 

*

Oil pump broken, motor burning out Salem Ex-logger selling skidder cable wants to get to San Francisco, fed and drunk Eugene Guy just back from Alaska- don't like the States now- too much law Sutherlin A woman with a kid & two bales of hay  Roseburg Sawmill worker, young guy thinking of going to Eureka for redwood logging later in the year Dillard Two Assembly of God Pentecostal boys from a holy-roller high school. One had spoken in tongues Canyonville  (LASME Lost Angeles-Seattle Motor Express) place on highway 20 LITTLE ELK badger & badger South of Yoncalla burn the engine run out of oil (a different car) (Six great highways; so far only one) Jumpoff Joe Creek & a man carrying nothing, walking sort of stiff legged along, blue jeans & denim jacket wrinkled face, just north of Louse Creek -Abandon really means it the network womb stretched loose all things slip through Dreaming on a bench under newspapers I woke covered with rhododendron blooms alone in a State Park in Oregon. 

"I had a girl in Oakland who worked for a doctor, she was a nurse, she let him eat her. She died of tuberculosis & I drove back that night to Portland nonstop, crying all the way" Grants Pass "I picked up a young mother with two children once, their house had just burned down" "I picked up an Italian tree-surgeon in Port Angeles once, he had all his saws and tools all screwed & bolted on a beat up bike." Oxyoke, Wolf Creek, a guy Coming off a five-day binge to Phoenix An ex-bartender from Lebanon to Redding Man & wife on a drinking spree, to Anderson Snow on the pines & firs around Lake Shasta -Chinese scene of winter hills and trees us "little travelers" in the bitter cold six-lane highway slash & D-9 Cats- bridge building squat earth movers -yellow bugs I speak for hawks. Creating "Shasta" as I go- The road that's followed goes forever; in half a minute crossed and left behind. Out of the snow and into red-dirt plains blossoming plums Each time you go that road it gets more straight curves across the mountain lost in fill towns you had to slow down all four lanes Azalea, Myrtle Creek watch out for deer. At Project City Indian hitcher Standing under single tarpole lamp nobody stoped we walked four miles to an oak fire left by the road crew, shivered the night away. 

*

Going to San Francisco Yeah San Francisco Yeah we came from Seattle Even farther north Yeah we been working in the mountains in the spring in the autumn I always go this highway 99-"I was working in a mill three weeks there then it burned down & the guy didn't even pay us off- but I can do anything-  I'll go to San Francisco- tend bar-"  Sixteen speeds forward windows open Stopped at the edge of Willows fro a bite grass shoots on the edge of drained rice plains -where are the Sierras- 

*

standing in the night in the world-end winds by the overpass bridge junction US 40   and highway 99 trucks, trucks, roll by kicking up dust dead flowers level, dry,  Highway 99 turns west. Miles gone, speed still pass through lower hills heat drying toward Vallejo gray on the salt baywater brown grass ridge buckbrush blue.  Herons in the tideflats have no thought for States of Cars -I'm sick of car exhaust City  gleaming far away we make it into town tonight get clean and drink some wine- SAN FRANCISCO NO body gives a shit man who you are or what's your car there IS no 99

Poem: "Night Highway 99" by Gary Snyder from his 1996 collection "Mountains and Rivers Without End" (typography changed)
Print: Shepard Fairey

7.02.2010

Two by Pablo and Sam



Pastoral 

I copy out mountains, rivers, clouds. 
I take my pen from my pocket. I note down 
a bird in its rising 
or a spider in its little silkworks. 
Nothing else crosses my mind. I am air, 
clear air, where the wheat is waving, 
where a bird's flight moves me, the uncertain 
fall of a leaf, the globular 
eye of a fish unmoving in the lake, 
the statues sailing in the clouds, 
the intricate variations of the rain. 

Nothing else crosses my mind except 
the transparency of summer. I sing only of the wind, 
and history passes in its carriage, 
collecting its shrouds and medals, 
and passes, and all I feel is rivers. 
I stay alone with the spring. 



Ode to Bicycles 
I was walking
down
a sizzling road:
the sun popped like
a field of blazing maize,
the

earth


was hot,
an infinite circle
with an empty
blue sky overhead.
A few bicycles
passed
me by,


the only
insects
in
that dry
moment of summer,
silent,
swift,
translucent;
they
barely stirred
the air.


Workers and girls
were riding to their
factories,
giving

their eyes
to summer,
their heads to the sky,
sitting on the
hard
beetle backs
of the whirling
bicycles
that whirred
as they rode by
bridges, rosebushes, brambles
and midday.

I thought about evening when
the boys
wash up,
sing, eat, raise
a cup
of wine
in honor
of love
and life,
and waiting
at the door,
the bicycle,
stilled,
because
only moving
does it have a soul,
and fallen there
it isn’t
a translucent insect
humming
through summer
but
a cold
skeleton
that will return to
life
only
when it’s needed,
when it’s light,
that is,
with
the
resurrection
of each day.


Poems: Pablo Neruda (1904-1973)
Paintings: Sam Flores 

5.23.2010

8 - count


On a clear night you can see for days
While cloudy drinks lick your lips

So tasty

On a journey, once, I saw the moment
Though only once, it's momentary

Repetitive

On a binge you can find small truths
But clouds don't distort, they block

Gigantic

On a train your mind is soothed
This allows one to fully enjoy movement

Kinetic

On a park bench lay the oxymoron
Cloudy dreams crystallize in the daylight

How complete

On a stage all movement is false
It can find no justification for existence

Cynical

On a clear day you could see mountains
But be careful not to strain in vain

Rhymes

On a dare once, emotions shared
And a glancing blow staggers the champ

8-count.

Poem: Robert Lescatre
Painting: Charlie J Sprenger age 3

5.01.2010

Happy May Day!



If we have chosen the position in life in which we can most of all work for mankind, no burdens can bow us down, because they are sacrifices for the benefit of all; then we shall experience no petty, limited, selfish joy, but our happiness will belong to millions, our deeds will live on quietly but perpetually at work, and over our ashes will be shed the hot tears of noble people.

Prose: Karl Marx, Letter to His Father1837
Painting: Alexander Bogomazov, "Sawyers" 

4.25.2010

2 by Sandburg



Old Hokusai Print 

In a house he remembers in the Howlong valley
not far from bends of Shooshoo river
where each of the leaves fall
is a pigeon foot of gold on the blue: 
there is a house of a thousand windows
and in every window the same woman
and she too remembers better than she forgets: 
she too has one wish for every window: 
       and the mountains forty miles away
       rise and fade, come and go, 
       in lights and mist there and not there, 
       beckoning as mountains seen on a Monday, 
       phantoms traveled away on a Tuesday, 
       scrawls in a dim blot on Wednesday, 
       gone into gray shawls on Friday, 
       lost and found in half lavenders often, 
       back again one day saying they were not gone, 
       not gone at all, being merely unseen, 
the white snow on the blue peaks no dream snow, 
no dream at all the sawtooth line of purple garments. 
Can a skyline share itself like drums in the heart? 


Honey and Salt 


A bag of tricks—is it?
And a game smoothies play?
If you’re good with a deck of cards
or rolling the bones—that helps?
If you can tell jokes and be a chum
and make an impression—that helps?
When boy meets girl or girl meets boy—
what helps?
They all help: be cozy but not too cozy:
be shy, bashful, mysterious, yet only so-so:
then forget everything you ever heard about love
for it’s a summer tan and a winter windburn
and it comes as weather comes and you can’t change it:
it comes like your face came to you, like your legs came
and the way you walk, talk, hold your head and hands—
and nothing can be done about it—you wait and pray.
Is there any way of measuring love?
Yes but not till long afterward
when the beat of your heart has gone
many miles, far into the big numbers.
Is the key to love in passion, knowledge, affection?
All three—along with moonlight, roses, groceries,
givings and forgivings, gettings and forgettings,
keepsakes and room rent,
pearls of memory along with ham and eggs.
Can love be locked away and kept hid?
Yes and it gathers dust and mildew
and shrivels itself in shadows
unless it learns the sun can help,
snow, rain, storms can help—
birds in their one-room family nests
shaken by winds cruel and crazy—
they can all help:
lock not away your love nor keep it hid.
How comes the first sign of love?
In a chill, in a personal sweat,
in a you-and-me, us, us two,
in a couple of answers,
an amethyst haze on the horizon,
two dance programs criss-crossed,
jackknifed initials interwoven,
five fresh violets lost in sea salt,
birds flying at single big moments
in and out a thousand windows,
a horse, two horses, many horses,
a silver ring, a brass cry,
a golden gong going ong ong ong-ng-ng,
pink doors closing one by one
to sunset nightsongs along the west,
shafts and handles of stars,
folds of moonmist curtains,
winding and unwinding wisps of fogmist.
How long does love last?
As long as glass bubbles handled with care
or two hot-house orchids in a blizzard
or one solid immovable steel anvil
tempered in sure inexorable welding—
or again love might last as
six snowflakes, six hexagonal snowflakes,
six floating hexagonal flakes of snow
or the oaths between hydrogen and oxygen
in one cup of spring water
or the eyes of bucks and does
or two wishes riding on the back of a
morning wind in winter
or one corner of an ancient tabernacle
held sacred for personal devotions
or dust yes dust in a little solemn heap
played on by changing winds.
There are sanctuaries
holding honey and salt.
There are those who
spill and spend.
There are those who
search and save.
And love may be a quest
with silence and content.
Can you buy love?
Sure every day with money, clothes, candy,
with promises, flowers, big-talk,
with laughter, sweet-talk, lies,
every day men and women buy love
and take it away and things happen
and they study about it
and the longer they look at it
the more it isn’t love they bought at all:
bought love is a guaranteed imitation.
Can you sell love?
Yes you can sell it and take the price
and think it over
and look again at the price
and cry and cry to yourself
and wonder who was selling what and why.
Evensong lights floating black night water,
a lagoon of stars washed in velvet shadows,
a great storm cry from white sea-horses—
these moments cost beyond all prices.
Bidden or unbidden? how comes love?
Both bidden and unbidden, a sneak and a shadow,
a dawn in a doorway throwing a dazzle
or a sash of light in a blue fog,
a slow blinking of two red lanterns in river mist
or a deep smoke winding one hump of a mountain
and the smoke becomes a smoke known to your own
twisted individual garments:
the winding of it gets into your walk, your hands,
your face and eyes. 


Poems: Carl Sandburg from his collection, "Honey and Salt," 1953. 
Painting: Katsushika Hokusai, "Ono Waterfall at Kisokaido" 1830.