12.29.2010

The Circumambulation of Mt. Tamalpais


Walking up and around the long ridge of Tamalpais, "Bay Mountain," circling and climbing-chanting-to show respect and to clarify the mind. Philip Whalen, Allen Ginsberg, and I learned this practice in Asia. So we opened a route around Tam. It takes a day.

Stage One


Muir Woods: the bed of Redwood Creek just where the Dipsea Trail crosses it. Even in the dryest season of this year some running water. Mountains make springs.

Prajnaparamita-hridaya-sutra
Dharani for Removing Disasters
Four Vows

Splash across the creek and head up the Dipsea Trail, the steep wooded slope and into meadows. Gold dry grass. Cows- a huge pissing, her ears out, looking around with large eyes and mottled nose. As we laugh. "-Excuse us for laughing at you." Hazy day, butterflies tan as grass that sit on silver-weathered fenceposts, a gang of crows. "I can smell fried chicken" Allen says -only the simmering California laurel leaves. The trail winds crossed and intertwining with a dirt jeep road. 

Two

A small twisted ancient interior live oak splitting a rock outcrop an hour up the trail. 

Dharani for Removing Disasters 
The Heat Mantra 

A tiny chorten before this tree. 

Into the woods. Maze fence gate. Young Douglas fir, redwood, a new state of being. Sun on madrone: to the bare meadow knoll. (Last spring a bed of wild iris about here and this time too, a lazuli bunting.) 

Three

A ring of outcropped rocks. A natural little dolmen-circle right where the Dipsea crests on the ridge. Looking down a canyon to the ocean- not so far. 

Dharani for Removing Disasters
Hari Om Namo Shiva

And on to Pan Toll, across the road and up the Old Mine Trail. A doe and a fawn, silvery gray. More crows. 

Four

Rock springs. A trickle even now-

The Sarasvati Mantra 
Dharani for Removing Disasters 

- in the shade of a big oak spreading out the map on a picnic table. Then up the Benstein Trail to Rifle Camp, old food-cache boxes hanging from wires. A bit north, in the oak woods and rocks, a neat little saddhu hut built of dry natural bits of wood and parts of old crates; roofed with shakes and black plastic. A book called Harmony left there. Lunch by the stream, too tiny a trickle, we drink water from our bota. The food offerings are swiss cheese sandwiches, swede bread with liverwurst, salami, jack cheese, olives, gomoku-no-moto from a can, grapes, panettone with apple-currant jelly and sweet butter, oranges, and soujouki- greek walnuts in grape juice paste. All in the shade, at Rifle Camp. 

Five

A notable serpentine outcropping, not far after Rifle Camp. 

Om Shri Maitreya
Dharani for Removing Disasters

Six

Collier Spring- in a redwood grove- water trickling out a pipe. 

Dharani of the Great Compassionate One

California nutmeg, golden chinquapin the fruit with burrs, the chaparral. Following the North Side Trail. 

Seven

Inspiration Point

Dharani for Removing Disasters
Mantra for Tara

Looking down on Lagunitas. The gleam of water storage in the brushy hills. All that smog- and Mt. St. Helena faintly in the north. The houses of San Anselmo and San Rafael, once large estates..."Peacock Gap Country Club"- rocky brush climb up the North Ridge Trail. 

Eight

Summit of Mt. Tamalpais. A ring of rock pinnacles around the lookout. 

Prajnaparamita-hridaya-sutra
Dharani for Removing Disasters
Dharani of the Great Compassionate One

Hari Krishna Mantra 
Om Shri Maitreya 
Hari Om Namo Shiva

All about the bay, such smog and sense of heat. May the whole planet not get like this. 
Start the descent down the Throckmorton Hogback Trail. (Fern Canyon an alternative.)

Nine

Parking lot of Mountain Home. Cars whiz by, sun glare from the west. 

Dharani for Removing Disasters
Gopala Mantra 

Then, across from the California Alpine Club, the Ocean View Trail goes down. Some yellow broom flowers still out. The long descending trail into shadowy giant redwood trees. 

Ten

The bed of Redwood Creek again. 

Prajnaparamita-hridaya-sutra
Dharani for Removing Disasters
Hari Om Namo Shiva
Hari Krishna Mantra 
Four Vows

-standing in our little circle, blowing the conch, shaking the staff rings, right in the parking lot. 



Poem: "The Circumambulation of Mt. Tamalpais" by Gary Snyder from his collection "Mountains and Rivers Without End." 
Photo: "A Pikes Peak Prospector" by William Henry Jackson Colorado circa 1900. 
Painting: "Sunset Glow on Mr. Tamalpais" by William Keith, 1896. 





11.30.2010

Come up with me, American love. 

Kiss these secret stones with me. 
The torrential silver of the Urubamba
makes the pollen fly to its golden cup. 
The hollow of the bindweed's maze, 
the petrified plant, the inflexible garland, 
soar above the silence of these mountain coffers. 
Come, diminutive life, between the wings
of the earth, while you, cold, crystal in the hammered air, 
thrusting embattled emeralds apart, 
O savage waters, fall from the hems of snow. 

Love, love, until the night collapses 
from the singing Andes flint
down to the dawn's red knees, 
come out and contemplate the snow's blind son. 
O Wilkamayu of the sounding looms, 
when you rend your skeins of thunder
in white foam clouds of wounded snow, 
when your south wind falls like an avalanche 
roaring and belting to arouse the sky, 
what language do you wake in an ear
freed but a moment from your Andean spume? 

Who caught the lightning of the cold, 
abandoned it, chained to the heights, 
dealt out among its frozen tears, 
brandished upon its nimble swords-
its seasoned stamens pummeled hard-
led to a warrior's bed, 
hounded to his rocky conclusions? 

What do your harried scintillations whisper? 
Did your sly, rebellious flash 
go traveling once, populous with words? 
Who wanders grinding frozen syllables, 
black languages, gold-threaded banners, 
fathomless mouths, and trampled cries
in your tenuous arterial waters? 

Who goes deadheading blossom eyelids
come to observe us from the far earth? 
Who scatters dead seed clusters 
dropping from your cascading hands 
to bed their own disintegration here
in coal's geology? 

Who has flung down the branches of these chains 
and buried once again our leave-takings? 

Love, love, do not come near the boarder, 
avoid adorning this sunken head: 
let time exhaust all measure 
in its abode of broken overtures-
here, between cliffs and rushing waters, 
take to yourself the air among these passes, 
the laminated image of the wind, 
the blind canal threading high cordilleras, 
dew with its bitter greetings, 
and climb, flower by flower, through the thickness
trampling the coiling lucifer. 

In this steep zone of flint and forest, 
green stardust, jungle-clarified, 
Mantur, the valley, cracks like a living lake 
or a new level of silence. 

Come to my very being, to my own dawn, 
into crowned solitudes. 
The fallen kingdom survives us all this while. 
And on this dial the condor's shadow
cruises as ravenous as would a pirate ship. 

Poem: Pablo Neruda, "VII" from "Canto General: Book II, The Hights of Macchu Picchu.
Painting: by Sarah Jackson 


11.17.2010

meaning

take a walk
framing and phrasing
sated in silences sweet
seeing your smile in reflections
occular, other lenses
for framing the dead and furry
for familiar and friendly
reasons enough monday
after all now and naught
not yet unshod but
close enough for a few
whisking away fruit flies from
cazadores amidst the middle
as always
the fatty part


Poem: "meaning" by Robert Lescatre
Totem: Unknown artist, Sitka, Alaska

10.28.2010

A Geologist's Winter Walk


After reaching Turlock, I sped afoot over the stubble fields and through miles of brown hemizonia and purple erigeron, to Hopeton, conscious of little more than that the town was behind and beneath me, and the mountains above and before me; on through the oaks and chaparral of the foothills to Coulterville; and then ascended the first great mountain step upon which grows the sugar pine. Here I slackened pace, for I drank the spicy, resiny wind, and beneath the arms of this noble tree I felt that I was safely home. Never did pine trees seem so dear. How sweet was their breath and their song, and how grandly they winnowed the sky! I tingled my fingers among their tassels, and rustled my feet among their brown needles and burrs, and was exhilarated and joyful beyond all I can write.

When I reached Yosemite, all the rocks seemed talkative, and more telling and lovable than ever. They are dear friends, and seemed to have warm blood gushing through their granite flesh; and I love them with a love intensified by long and close companionship. After I had bathed in the bright river, sauntered over the meadows, conversed with the domes, and played with the pines, I still felt blurred and weary, as if tainted in some way with the sky of your streets. I determined, therefore, to run out for a while to say my prayers in the higher mountain temples. “The days are sunful,” I said, “and, though now winter, no great danger need be encountered, and no sudden storm will block my return, if I am watchful.”

The morning after this decision, I started up the canyon of Tenaya, caring little about the quantity of bread I carried; for, I thought, a fast and a storm and a difficult canyon were just the medicine I needed. When I passed Mirror Lake, I scarcely noticed it, for I was absorbed in the great Tissiack — her crown a mile away in the hushed azure; her purple granite drapery flowing in soft and graceful folds down to my feet, embroidered gloriously around with deep, shadowy forest. I have gazed on Tissiack a thousand times — in days of solemn storms, and when her form shone divine with the jewelry of winter, or was veiled in living clouds; and I have heard her voice of winds, and snowy, tuneful waters when floods were falling; yet never did her soul reveal itself more impressively than now. I hung about her skirts, lingering timidly, until the higher mountains and glaciers compelled me to push up the canyon.


This canyon is accessible only to mountaineers, and I was anxious to carry my barometer and clinometer through it, to obtain sections and altitudes, so I chose it as the most attractive highway. After I had passed the tall groves that stretch a mile above Mirror Lake, and scrambled around the Tenaya Fall, which is just at the head of the lake groves, I crept through the dense and spiny chaparral that plushes the roots of the mountains here for miles in warm green, and was ascending a precipitous rock front, smoothed by glacial action, when I suddenly fell — for the first time since I touched foot to Sierra rocks. After several somersaults, I became insensible from the shock, and when consciousness returned I found myself wedged among short, stiff bushes, trembling as if cold, not injured in the slightest.

Judging by the sun, I could not have been insensible very long; probably not a minute, possibly an hour; and I could not remember what made me fall, or where I had fallen from; but I saw that if I had rolled a little further, my mountain climbing would have been finished, for just beyond the bushes the canyon wall steepened and I might have fallen to the bottom. “There,” said I, addressing my feet, to whose separate skill I had learned to trust night and day on any mountain, “that is what you get by intercourse with stupid town stairs, and dead pavements.” I felt degraded and worthless. I had not yet reached the most difficult portion of the canyon, but I determined to guide my humbled body over the most nerve-trying places I could find; for I was now awake, and felt confident that the last of the town fog had been shaken from both head and feet.



I camped at the mouth of a narrow gorge which is cut into the bottom of the main canyon, determined to take earnest exercise next day. No plushy boughs did my ill-behaved bones enjoy that night, nor did my bumped head get a spicy cedar plume pillow mixed with flowers. I slept on a naked boulder, and when I awoke all my nervous trembling was gone.

The gorged portion of the canyon, in which I spent all the next day, is about a mile and a half in length; and I passed the time in tracing the action of the forces that determined this peculiar bottom gorge, which is an abrupt, ragged-walled, narrow-throated canyon, formed in the bottom of the wide-mouthed, smooth, and beveled main canyon. I will not stop now to tell you more; some day you may see it, like a shadowy line, from Cloud’s Rest. In high water, the stream occupies all the bottom of the gorge, surging and chafing in glorious power from wall to wall. But the sound of the grinding was low as I entered the gorge, scarcely hoping to be able to pass through its entire length. By cool efforts, along glassy, ice-worn slopes, I reached the upper end in a little over a day, but was compelled to pass the second night in the gorge, and in the moonlight I wrote you this short pencil-letter in my notebook: —

The moon is looking down into the canyon, and how marvelously the great rocks kindle to her light! Every dome, and brow, and swelling boss touched by her white rays, glows as if lighted with snow. I am now only a mile from last night’s camp; and have been climbing and sketching all day in this difficult but instructive gorge. It is formed in the bottom of the main canyon, among the roots of Cloud’s Rest. It begins at the filled-up lake basin where I camped last night, and ends a few hundred yards above, in another basin of the same kind. The walls everywhere are craggy and vertical, and in some places they overlean. It is only from twenty to sixty feet wide, and not, though black and broken enough, the thin, crooked mouth of some mysterious abyss; but it was eroded, for in many places I saw its solid, seamless floor.

I am sitting on a big stone, against which the stream divides, and goes brawling by in rapids on both sides; half of my rock is white in the light, half in shadow. As I look from the opening jaws of this shadowy gorge, South Dome is immediately in front — high in the stars, her face turned from the moon, with the rest of her body gloriously muffled in waved folds of granite. On the left, sculptured from the main Cloud’s Rest ridge, are three magnificent rocks, sisters of the great South Dome. On the right is the massive, moonlit front of Mount Watkins, and between, low down in the furthest distance, is Sentinel Dome, girdled and darkened with forest. In the near foreground Tenaya Creek is singing against boulders that are white with snow and moonbeams. 



Now look back twenty yards, and you will see a waterfall fair as a spirit; the moonlight just touches it, bringing it into relief against a dark background of shadow. A little to the left, and a dozen steps this side of the fall, a flickering light marks my camp — and a precious camp it is. A huge, glacier-polished slab, falling from the smooth, glossy flank of Cloud’s Rest, happened to settle on edge against the wall of the gorge. I did not know that this slab was glacier-polished until I lighted my fire. Judge of my delight. I think it was sent here by an earthquake. It is about twelve feet square. I wish I could take it home for a hearthstone. Beneath this slab is the only place in this torrent-swept gorge where I could find sand sufficient for a bed.

I expected to sleep on the boulders, for I spent most of the afternoon on the slippery wall of the canyon, endeavoring to get around this difficult part of the gorge, and was compelled to hasten down here for water before dark. I shall sleep soundly on this sand; half of it is mica. Here, wonderful to behold, are a few green stems of prickly rubus, and a tiny grass. They are here to meet us. Ay, even here in this darksome gorge, “frightened and tormented” with raging torrents and choking avalanches of snow. Can it be? As if rubus and the grass leaf were not enough of God’s tender prattle words of love, which we so much need in these mighty temples of power, yonder in the “benmost bore” are two blessed adiantums. Listen to them! How wholly infused with God is this one big word of love that we call the world! Good-night. Do you see the fire-glow on my ice-smoothed slab, and on my two ferns and the rubus and grass panicles? And do you hear how sweet a sleep- song the fall and cascades are singing?

The water-ground chips and knots that I found fastened between the rocks kept my fire alive all through the night. Next morning I rose nerved and ready for another day of sketching and noting, and any form of climbing. I escaped from the gorge about noon, after accomplishing some of the most delicate feats of mountaineering I ever attempted; and here the canyon is all broadly open again — the floor luxuriantly forested with pine, and spruce, and silver fir, and brown-trunked libocedrus. The walls rise in Yosemite forms, and Tenaya Creek comes down seven hundred feet in a white brush of foam. This is a little Yosemite valley. It is about two thousand feet above the level of the main Yosemite, and about twenty-four hundred below Lake Tenaya.

I found the lake frozen, and the ice was so clear and unruffled that the surrounding mountains and the groves that look down upon it were reflected almost as perfectly as I ever beheld them in the calm evening mirrors of summer. At a little distance, it was difficult to believe the lake frozen at all; and when I walked out on it, cautiously stamping at short intervals to test the strength of the ice, I seemed to walk mysteriously, without adequate faith, on the surface of the water. The ice was so transparent that I could see through it the beautifully wave-rippled, sandy bottom, and the scales of mica glinting back the down-pouring light. When I knelt down with my face close to the ice, through which the sunbeams were pouring, I was delighted to discover myriads of Tyndall’s six-rayed water flowers, magnificently colored.



A grand old mountain mansion is this Tenaya region! In the glacier period it was a mer de glace, far grander than the mer de glace of Switzerland, which is only about half a mile broad. The Tenaya mer de glace was not less than two miles broad, late in the glacier epoch, when all the principal dividing crests were bare; and its depth was not less than fifteen hundred feet. Ice streams from Mounts Lyell and Dana, and all the mountains between, and from the nearer Cathedral Peak, flowed hither, welded into one, and worked together. After eroding this Tanaya Lake basin, and all the splendidly sculptured rocks and mountains that surround and adorn it, and the great Tenaya Canyon, with its wealth of all that makes mountains sublime, they were welded with the vast South, Lyell, and Illilouette glaciers on one side, and with those of Hoffman on the other — thus forming a portion of a yet grander mer de glace in Yosemite Valley.

I reached the Tenaya Canyon, on my way home, by coming in from the northeast, rambling down over the shoulders of Mount Watkins, touching bottom a mile above Mirror Lake. From thence home was but a saunter in the moonlight.

After resting one day, and the weather continuing calm, I ran up over the left shoulder of South Dome and down in front of its grand split face to make some measurements, completed my work, climbed to the right shoulder, struck off along the ridge for Cloud’s Rest, and reached the topmost heave of her sunny wave in ample time to see the sunset.


Cloud’s Rest is a thousand feet higher than Tissiack. It is a wavelike crest upon a ridge, which begins at Yosemite with Tissiack, and runs continuously eastward to the thicket of peaks and crests around Lake Tenaya. This lofty granite wall is bent this way and that by the restless and weariless action of glaciers just as if it had been made of dough. But the grand circumference of mountains and forests are coming from far and near, densing into one close assemblage; for the sun, their god and father, with love ineffable, is glowing a sunset farewell. Not one of all the assembled rocks or trees seemed remote. How impressively their faces shone with responsive love!


I ran home in the moonlight with firm strides; for the sun-love made me strong. Down through the junipers; down through the firs; now in jet shadows, now in white light; over sandy moraines and bare, clanking rocks; past the huge ghost of South Dome rising weird through the firs; past the glorious fall of Nevada, the groves of Illilouette; through the pines of the valley; beneath the bright crystal sky blazing with stars. All of this mountain wealth in one day! — one of the rich ripe days that enlarge one’s life; so much of the sun upon one side of it, so much of the moon and stars on the other.

Prose: John Muir, chapter 2 from his book "Steep Trails" 1918. 
Kachina 1: Flower Kachina by William Kootswatewa
Kachina 2: Paralyzed Kachina and Blind Mudhead by Malcom Fred
Kachina 3: Broad-face Whipper Kachina by Wally Navasie
Kachina 4: Butterfly Maiden by Myron Phillips
Kachina 5: Warrior Maiden Kachina by Duane Hyeoma 


Guide to Hopi Kachina 

10.11.2010

Lescatre and Fechin


it is

what it is to
dip your hip to the swaying
of the ship that
surely goes only your way
when sunday sundries
and so-called political parity
part red-faced in pro-people pose
peering unending into eyes
less than an inch deep
thoughts whose reach exceeds
inevitabilities of existence
or inches toward them achingly
seems if your radar
picks up anything which makes
movement for it's sake
decide then
what it is too

purity of essence

propulsion of etheric origins
energy only percieved overtly
overheard perspectives easily o'erlooked
punch ouch poke easy oops
older predilictions offer exactitudes


Poems: Robert Lescatre 
Drawing: "Manuelita" by Nicolai Fechin, charcoal on off-white paper. 1930

9.21.2010

Doom Done Slang

Already woke, spare the joke, barely spoke, rarely smoke
Stared at folks when properly provoked, mirror broke
Here, share strawberry morinin, 
Gone and more important spawnin'
Torn in, poor men sworn in
Cornish hens switchin positions, auditionin' mortitions
Saw it in a vision, ignorin prison
Ignoramuses enlist and sound dumb
Found em drowned in cows dung, crowns flung
Rings a tinkerbell, sing for things that's frail as a fingernail
Bring a scale, stale ginger lingers
Seven figures invigor
Nigga, fresh from out the jail, alpha male
Sickest ninja injury this century, enter plea
Lend sympathy to limper simple simon rhymin emcees
Trees is free, please leave a key
These meager fleas, he's the breeze
And she's the bees knees for sheez
G's of Gs seize property, shopping sprees
chop the cheese drop degrees to stop diseases gee wiz pa!
DOOM rock grammer like the Kumbaya
Mama was a ho hoppa, papa was a rollingstone
Star like Obama, pull a card like oh drama!
Civil liberties
These little titties abilities riddle me, middle C
Give a MC a rectal hysterectomy
lecture on removal of the bowels, foul technically
Don't expect to see the recipe
Until we receive the check as well as the collection fee
More wreck than section Z
What you expect to get for free?
Shit from me, history
The key, plucked it off mayor
Chucked it in the ol tar pit off La Brea, playa
They say he's gone too far
DOOM'll catch em after Jumar on cue lacka!!
Do what'cha gotta do, grarrrr the rumors are not true, gotchu ma
No prob, got the job, hot barred heart throb
Scotch Guard the bar the with cotton swabs, dart lob
Bake a cake, sweet
Jamaica trade in treats on the beach make her skeet til her feets meet

Rap: "That's That" by Doom, from his album, "Born Like This" 2009 

9.05.2010

On Pelicans, and Life in General

"His [Charles] statement to himself should have been, 'I possess this now, therefore I am happy,' instead of what it so Victorianly was: 'I cannot possess this forever, and therefore am sad.'"
-John Fowles, from "The French Lieutenant's Woman"
Drunk with pines and long kisses,
like summer I steer the fast sail of the roses,
bent towards the death of the thin day,
stuck into my solid marine madness.

Pale and lashed to my ravenous water,
I cruise in the sour smell of the naked climate,
still dressed in gray and bitter sounds

and a sad crest of abandoned spray.

Hardened by passions, I go mounted on my one wave,
lunar, solar, burning and cold, all at once,
becalmed in the throat of the fortunate isles
that are white and sweet as cool hips.

In the moist night my garment of kisses trembles

charged to insanity with electric currents,
heroically divided into dreams

and intoxicating roses practicing on me.

Upstream, in the midst of the outer waves,
your parallel body yields to my arms
like a fish infinitely fastened to my soul,
quick and slow, in the energy under the sky.


Poem: Pablo Neruda "IX" from his collection, "Twenty Love Poems" 
Photograph: Tony Rohrbach

8.09.2010

Rhode Island

The Kronosaurus was a big fish,
Saw its 100 million year old bones
Hanging stiff as collars in Harvard
Natural History Museum.  But I was supple,
Still swaying, skin soaked with sun
And sea salt, fingernails smelling like
The blood of sport fish and the rot of bait.
                Point Judith Jetty
                Crash and spray of high-tide
                Distant, billowing sails, silently escaping harbor
                         Green, red, blink, blink, blink
                Mouthful of IPA, lips salty
                Squid on a circle-hook
                Autumn star patterns and a waxing gibbous moon
                Light house spying
                         White-into-sea-glisten, whoosh…whoosh…whoosh
                We caught a three foot eel at one in the morning
The Kronosaurus was a really big fish!
Each of its 40 odd teeth measured 10cm and resembled
Conical spear-tipped arrow heads. Its bones were found
In the wastelands of Queensland, where it’s as dry
As the smile-less straw-men of Harvard Square
Who walk by like human deserts, each parched and barren
Expression thirsty, each personality an arid island.  But I
Was still reeling, the drag of my mind clicking
Click…click…click…clickclickclickclickclickclickclick
The love of life pulling, testing my taunt line.
Charlestown Breach-way
Casting into the rip, letting the current
Take our scud 200yds out into the deep sea
Where the blue fish waited
Primed with leader shredding, arrow-head teeth
Open bail, fingers feeding out the mono-filament
Feel him hit and take off
“Set da Gaddamn hook like fa’ fackn’ times!
Now ya feel ‘em, dat bastad of a whore’s mother!
Hook ‘em good an drag in dat blasted son-of-a-bitch!”
Ocean spraying off the point into my face
Rocks slick with slime and fish guts
Like sweat and blood on a UFC fight mat
Saw him jumping way out there in the chop
Pull, reelreelreelreel, pull, reelreelreelreel, pull
Guide him in, grappling hook through his side
Grab his gills and feel all fourteen of his pounds
Watch him puke up a handful of shiners
Give him to the Guatemalans who will boil him in milk
To the West the sunset against propped up poll tips
Melts into a seemingly forever twilight
To the East Block Island, where tonight they are catching
Shark, gleams like stars against the inky Atlantic horizon
I bet the Kronosaurus was a terrifying beast of a bitch
Its tail alone the size of a passenger plane
Could turn a boat into toothpicks with a single swipe.
It was the ultimate prey-er , nothing near tame about it
Unlike the plaid patterned civility of Cambridge
Where the surface of things matter most,
Where image is the fittest trait striving to carry the species,
Where style castrates any sort of energetic pulse.
Where as the Kronosaurus would simply eat you.
But it’s strung-up behind glass, leaving us only
A nasty, toothy smile, and a wink through hollow eyes.


Poem: "Rhode Island" by James Gagnon
Silkscreens: "what once was" and "photosynthesis" by Dan McCarthy
 

7.24.2010

The Octopus Frontier

1.
A pleasure palace
on the octopus frontier.
Perhaps that's
the answer.
An eight-armed whore
in the cabin
of a sunken ship,
the walls covered
with obscene octopus pictures.
She beckons to me.
Passion and gin.
Why not? 

2.
A homestead
on the octopus frontier.
Perhaps that's
the answer.
A flock of chickens
in front of a cabin
at the bottom
of the ocean.
They seem contented
scratching in the sand
for oysters.


3. 
An intentionally ambiguous poem
on the octopus frontier.
Perhaps that’s
the answer.
The 8 faced whore siren muse
Sits on the rocks, inspiring ships to sink
The wandering mariners metaphors drawn
By her obscenely beckoning songs,
Shipwrecked on the jagged hopes of
Whiskeypassions.
Why not?

4. 
An irresistibly treacherous messiah
on the octopus frontier.
Perhaps that’s
The answer.
A flock of smitten disciples
Kneel in front of her hungry rocks
At the bottom of the ocean.
They seem utterly contented
Scratching in the sand
For her pearls.

Poem: "The Octopus Frontier" Parts 1 & 2 by Richard Brautigan; Parts 3 & 4 by Patrick Lynch 
Silkscreen: "What Once Was" by Dan McCarthy 

7.22.2010

Night Highway 99


We're on our way man out of town go hitching down that highway 99 Too cold and rainy to go out on the Sound Sitting in Ferndale drinking coffee Baxter in black, been to a funeral Raymond in Bellingham- Helena Hotel-  Can't go to Mexico with that weak heart Well you boys can go south. I stay here. Fix up a shack- get a part-time job- (he disappeared later maybe found in the river) In Ferndale & Bellingham Went out on trail crews Glacier and Marblemount There we part.Tiny men with mustaches driving ox teams deep in the cedar groves wet brush, tin pants, snoose- Split-shake roof barns over berry fields white birch chicken coop Put up in Dick Meigs cabin out behind the house- Coffeecan, PA tin, rags, dirty cups, Kindling fell behind the stove, miceshit, old magazines, winter's coming in the mountains shut down the show the punks go back to school and the rest hit the road- strawberries picked, shakeblanks split fires all out and the packstrings brought down to the valleys: set loose to graze.  Gray wharves and hacksaw gothic homes Shingle mills and stump farms overgrown. 

*

Fifty weary Indians  Mount Vernon Sleep in bus station Strawberry pickers speaking Kwakiutl turn at Burlington for Skagit;  Ross Dam under apple trees by the river banks of junked cars BC Riders give hitchhikers rides "The sheriff's posse stood in double rows Everett flogged the naked Wobblies down with stalks of Devil's Club; run them out of town"  While shingle weavers lost their fingers in the tricky feed and take of double saws. Dried, shrimp Seattle smoked, salmon -before the war old Salish gentleman came; sold us kids rich hard-smoked Chinook from his flatbed model T Lake City, waste of trees; topsoil, beast, herb, edible roots, Indian field- farms; white men dances washed, leached, burnt out minds blunt, ug! talk twisted a night of the long poem and the mind guitar "Forming the new society within the shell of the old" 
mess of tincan camps and littered roads. The Highway passes straight through every town at Matsons washing bluejeans hills and saltwater ack, the woodsmoke in my brain (high Olympics- can't go there again) East Marginal Way the hitchhike zone Boeing down across Duwamish slough and angle out; on. 

*

Night rain wet concrete headlights blind Tacoma salt air/ bulk cargo/ steam cycle/ AIR REDUCTION eating peanuts I don't give a damn  if anybody every stops I'll walk to San Francisco what the hell "that's where you going? why you got that pack?" "well man I just don't feel right without something on my back" & this character in milkman overalls "I have to come out here every once in a while, there's a guy blows me here" way out of town. Stayed in Olympia with Dick Meigs -this was a different year; he had moved- sleep on a cot in the back yard half the night watch shooting stars These guys got babies now drink beer, come back from wars, "I'd like to save up all my money get a big new car, go down to Reno & latch onto one of those rich girls- I'd fix their little ass" - nineteen yr old North Dakota boy fixing to get married next month. To Centralia in a purple Ford Carstruck dead doe by the Skookumchuck river Fat man in a Chevrolet wants to go back to L.A. "too damned poor now" Airbrakes on the log trucks hiss and whine stand in the dark by the stoplight big fat cars tool by drink coffee, drink more coffee brush teeth back of Shell hot shoes stay on the rightside of that yellow line Mary's Corner, turn for Mt. Rainier -once caught a ride at night for Portland here. Five Mexicans ask me "chip in on the gas," I never was more broke & down. Got fired that day by the USA (the District Ranger up at Packwood thought the Wobblies had been dead for forty years but the FBI smelled treason - my read beard) That Waco Texas boy took A.G. and me through miles of snow had a chest of logger gear at the home of an Indian girl n Kelso hadn't seen since fifty-four Toledo, Castle Rock, free way four lane no stoplights and no crossings, only cars, & people walking, old hitchhikers break the laws. How do I know...the state cop told me so. Come a dozen times into Portland on the bum or hasty lover late at night. 

*

Portland Dust kicking up behind the trucks- night rides- 
Who waits in the coffee stop night highway 99 Sokei-an met an old man on the banks of the Columbia growing potatoes & living all alone, Sokei- an asked him the reason why he lived there, he said, Boy, no one ever asked me the reason why, I like to be alone. I am an old man. I have forgotten how to speak human words. All night freezing in the back of a truck dawn at Smith River battering on in loggers' pickups prunes for lunch The next night, Siuslaw. Portland sawdust down town Buttermilk corner all you want for a nickel (now a dime) -Sujata gave Gautama buttermilk. (No doubt! says Sokei-an, that's all it was: plain buttermilk) rim of mountains, pulp bark chewed snag papermill tugboom in the river -used to lean on bridge rails dreaming up eruptions and quakes- Slept under juniper in the Siskiyou   Yreka a sleeping bag, a foot of snow black rolled umbrella ice slick asphalt Caught a ride the only car come by at seven in the morning chewing froze salami riding with a passed-out L.A. whore glove compartment full of booze, the driver a rider, nobody cowboy, sometime hood, Like me picked up to drive, & drive the blues away. We drank to Portland and we treated that girl good. I split my last two bucks with him in town when out to Carol & Billy's in the woods. Foggy morning in Newport housetrailers under the fir. 

*

An old book on Japan at the Goodwill unfurled umbrella in the sailing snow sat back in black wood barber college chair, a shave On Second street in Portland. What elegance. What a life. Bust my belly with a quart of buttermilk & five dry heels of French bread from the market cheap clean shaved, dry feet, We're on our way man out of town Go hitching down that highway 99. 

*

Oil pump broken, motor burning out Salem Ex-logger selling skidder cable wants to get to San Francisco, fed and drunk Eugene Guy just back from Alaska- don't like the States now- too much law Sutherlin A woman with a kid & two bales of hay  Roseburg Sawmill worker, young guy thinking of going to Eureka for redwood logging later in the year Dillard Two Assembly of God Pentecostal boys from a holy-roller high school. One had spoken in tongues Canyonville  (LASME Lost Angeles-Seattle Motor Express) place on highway 20 LITTLE ELK badger & badger South of Yoncalla burn the engine run out of oil (a different car) (Six great highways; so far only one) Jumpoff Joe Creek & a man carrying nothing, walking sort of stiff legged along, blue jeans & denim jacket wrinkled face, just north of Louse Creek -Abandon really means it the network womb stretched loose all things slip through Dreaming on a bench under newspapers I woke covered with rhododendron blooms alone in a State Park in Oregon. 

"I had a girl in Oakland who worked for a doctor, she was a nurse, she let him eat her. She died of tuberculosis & I drove back that night to Portland nonstop, crying all the way" Grants Pass "I picked up a young mother with two children once, their house had just burned down" "I picked up an Italian tree-surgeon in Port Angeles once, he had all his saws and tools all screwed & bolted on a beat up bike." Oxyoke, Wolf Creek, a guy Coming off a five-day binge to Phoenix An ex-bartender from Lebanon to Redding Man & wife on a drinking spree, to Anderson Snow on the pines & firs around Lake Shasta -Chinese scene of winter hills and trees us "little travelers" in the bitter cold six-lane highway slash & D-9 Cats- bridge building squat earth movers -yellow bugs I speak for hawks. Creating "Shasta" as I go- The road that's followed goes forever; in half a minute crossed and left behind. Out of the snow and into red-dirt plains blossoming plums Each time you go that road it gets more straight curves across the mountain lost in fill towns you had to slow down all four lanes Azalea, Myrtle Creek watch out for deer. At Project City Indian hitcher Standing under single tarpole lamp nobody stoped we walked four miles to an oak fire left by the road crew, shivered the night away. 

*

Going to San Francisco Yeah San Francisco Yeah we came from Seattle Even farther north Yeah we been working in the mountains in the spring in the autumn I always go this highway 99-"I was working in a mill three weeks there then it burned down & the guy didn't even pay us off- but I can do anything-  I'll go to San Francisco- tend bar-"  Sixteen speeds forward windows open Stopped at the edge of Willows fro a bite grass shoots on the edge of drained rice plains -where are the Sierras- 

*

standing in the night in the world-end winds by the overpass bridge junction US 40   and highway 99 trucks, trucks, roll by kicking up dust dead flowers level, dry,  Highway 99 turns west. Miles gone, speed still pass through lower hills heat drying toward Vallejo gray on the salt baywater brown grass ridge buckbrush blue.  Herons in the tideflats have no thought for States of Cars -I'm sick of car exhaust City  gleaming far away we make it into town tonight get clean and drink some wine- SAN FRANCISCO NO body gives a shit man who you are or what's your car there IS no 99

Poem: "Night Highway 99" by Gary Snyder from his 1996 collection "Mountains and Rivers Without End" (typography changed)
Print: Shepard Fairey

7.02.2010

Two by Pablo and Sam



Pastoral 

I copy out mountains, rivers, clouds. 
I take my pen from my pocket. I note down 
a bird in its rising 
or a spider in its little silkworks. 
Nothing else crosses my mind. I am air, 
clear air, where the wheat is waving, 
where a bird's flight moves me, the uncertain 
fall of a leaf, the globular 
eye of a fish unmoving in the lake, 
the statues sailing in the clouds, 
the intricate variations of the rain. 

Nothing else crosses my mind except 
the transparency of summer. I sing only of the wind, 
and history passes in its carriage, 
collecting its shrouds and medals, 
and passes, and all I feel is rivers. 
I stay alone with the spring. 



Ode to Bicycles 
I was walking
down
a sizzling road:
the sun popped like
a field of blazing maize,
the

earth


was hot,
an infinite circle
with an empty
blue sky overhead.
A few bicycles
passed
me by,


the only
insects
in
that dry
moment of summer,
silent,
swift,
translucent;
they
barely stirred
the air.


Workers and girls
were riding to their
factories,
giving

their eyes
to summer,
their heads to the sky,
sitting on the
hard
beetle backs
of the whirling
bicycles
that whirred
as they rode by
bridges, rosebushes, brambles
and midday.

I thought about evening when
the boys
wash up,
sing, eat, raise
a cup
of wine
in honor
of love
and life,
and waiting
at the door,
the bicycle,
stilled,
because
only moving
does it have a soul,
and fallen there
it isn’t
a translucent insect
humming
through summer
but
a cold
skeleton
that will return to
life
only
when it’s needed,
when it’s light,
that is,
with
the
resurrection
of each day.


Poems: Pablo Neruda (1904-1973)
Paintings: Sam Flores