2.23.2008
fatty
By Robert Lescatre
no such thing as lean years
golden years blah blah
they're just years
comfortable stackable flammable
maybe once I said
like so much firewood
but just as useful
some will make you warm
for a time
but the best part
is watching the pretty
curling smoke
catching glimpses of the uniformity
like so many sparks
just existing to eat
oxygen and then die
photo by J.G.
2.18.2008
Joe's biggest catch of last summer.
Catfish- bagged with salmon eggs. Next year use cheese filled hotdogs down in Pueblo and you might catch one of these!
2.13.2008
2.10.2008
Ever Watchful Mother
Our ever watchful mother as seen from Waldo Canyon on a sunny Feb. day.- J.G.
Writing to Frank Waters, the author of one the finest American regionalist novels Pikes Peak, Mrs. Evelyn A. Calhoon, then living in Cortez, Colorado, observantly describes a feeling held by many of us. Her letter reflects the poignant beauty of the bare, frost-shattered hills which formed our first horizon:
..."The way those hills get to possess you in time, so that you cling to them like a child to its mother's skirts, afraid to face the competition of the outside. The way you react to the lucky escapees from that mountain spell- either a bitter, frustrated envy, or a smug prognosis that they'll be back before the snow flies. Even the doctor seems to think it a sort of treason to admit the altitude doesn't agree with some people.
"You always leave a part of you there, wherever you wander, which like an amputated limb twitches for years afterward, so that you can't forget it, ever. No matter where you go you bump into people who went to Cripple Creek once in their lives, and who inquire eagerly about men and women or the children they went to school with who are dead now or scattered from Cerro de Pasco to Baguio and the Rand. It's a fraternity with its own signs and passwords which will last until the last crumbling gallows frame on Battle Mountain falls into a water-filled shaft."
2.05.2008
emotion leaves desires trees
Emotion leaves desires trees
flying east to catch the sun
bleating intermittently all the
while holding form and shape
Grace was not the first reaction
nor beauty in a truer sense
beating the devil with repetition
as if it were the only thing worth it
Dark blue to black the sky rises
the sun will be invading your taste
like citric acid on its way back
Sea landing on placidity personified
preen, preen, preen, investigate
watching the ultraviolet rays
re-coloring with the hot end
biding my time for departure north
The Master
Story by James Gagnon
Photograph by Sarah Aubrey
“I assume you’ve come to me in search of a manifesto,” the old man said as he looked up from a piece of paper lying on his desk.
“Indeed,” I replied.
“Well, I’m of no help to you. You, like the rest are wasting your time. I’m old, my voice is weak, furthermore, my pen only dabbles in Taoist poetry nowadays.”
“Your words are still strong Master. Plus I have no other choice.”
“No other choice? There are thousands of ink scribblers out there, I’m sure you could make due with one of them.”
“I’ve read their books and it’s in earnest that I’ve made this journey to you. Your words are different, they are certain, they breathe, they see, they feel.” I looked at the old man finger a small black pen.
“I no longer write the words that you speak of.”
“But you should, the people need you.”
“Who let you in here anyway? I pay servants to protect my privacy, to protect my ears from ignorant flattery.”
“Your servant Julia is my cousin and I’m far from ignorant.”
“If that be so then you should clearly understand that men change, their passions evolve, their youthful energies transform into elderly wisdoms. To expect a frail man like me to slice open a tired vein and write a new manifesto is only an ignorant plea into old, hairy, deaf ears.”
“But you must, that’s all I’ve come to say, you must write another manifesto,” I looked down at my scuffed shoes.
“As noble as your intentions may be you must understand this: my manifestos of old were written with strong muscular hands, they were crafted with healthy, keen eyes, they were written in hot, angry blood. Look at me, open your eyes boy and see who you’re pleading to!” The Master stared into my soul, “I’m old and my beard is white, I find pleasure in writing poetry that is peaceful, my daily life is far from uncomfortable, I lack nothing. How do you suppose I write another manifesto when I’ve aged and become the man that I once furiously wrote against?”
I hadn’t an answer.
“To me you are like a spring breeze that sneaks through the cracked window. You mess up my piles of paper and you sound like a giggling young school girl. Off with you, be gone! Continue your search elsewhere. If it's a new manifesto you are desperate to find, perhaps you should write your own. I’m certainly through with such.”
My mind raced places, images and words; it found pleas, faces and rank smells, it conjured up emotion and passionate realities. I stood up and my vision went dizzy. All I could do was quote aloud from one of the Master’s manifestos.
“‘And if one is certain, then he is a liar. For only those who understand the nothingness of all things will find hope. In this lies the will to change, in this lies the means necessary to progress.’”
With determined strides I walked out of the door. The bearded man slowly lowered his head and through old, watery eyes looked at his comfortable poetry scattered about his wooden desk.
2.03.2008
passao tiempo
by Robert Lescatre
poetical thoughts
pressed between
sweet somnolence and
competing with potential energy
conservation vs. exploration
does this get accomplished
while my last sunday of the
year slips away
already at pace for pistols
sometimes abound
and bind beauty to pieces
not picked up so much as acquired
like diametrics in your soul
so Descartes can't be discarded
but like many things
time changes truths
along with everything else
in our tiny tour
one, two, three, four
"the wanderer" by James Gagnon (22x15in. drywall. acrylic, ink, charcoal, crayon.)